ガイドは初めて依頼されたとのこと。 Konnichi Wa Ted (Tatsunobu Narita)
Arigatogozaimasu for our wonderful tour of Tokyo on 4 November 2019.
We loved it and we really appreciate appreciate beautiful Japan especially your amazing history and culture.
We learnt so much about your beautiful country and culture.
Thank you for being an interesting, knowledgeable, friendly tour guide.
We enjoyed your stories and your tour.
Thank you for the thoughtful Origami gift.
We look forward to meeting you again.
Here is our group photo. We are happy for you to use this group photo and our review for your SGG website.
ご主人は、スミソニアン12年を含め、奥様はライトに関する著作が2冊ある、ともに50年以上の学芸員をおくられた80歳前後のご夫婦。全世界の博物館のフリーパスであるICOMカード保持者。 私は、明治神宮・根津美術館・庭園美術館・日比谷帝国ホテルをご案内。 その後、明治村に行かれて、オリジナルの一部をご覧になった。 この後、私が説明しておいた芦屋の旧山邑邸（現ヨドコウ迎賓館：今年のライト建築の在米8件が世界遺産に登録され、ここは来年追加登録予定）にも行かれる予定。 I’ve wanted to come to Meiji Mura since I learned the lobby of Frank Lloyd Wright’s Imperial Hotel in Tokyo had been saved from destruction & moved to Meij Mura. (Although Wright’s hotel survived the 1923 earthquake it was torn down in 1964 & replaced by an ordinary tower hotel that dares to call itself the Imperial).
The remaining lobby is a must see! A triumph for FLW that the photos don’t convey. It’s light & airy, a real surprise since it resembles a dark weird space in b-w photos most people published.
Luckily we saw it in sunlight & later when they turned on the lights.
It probably originated the open atrium. As presented the lobby is 3 floors high with balconies running around it used as tea rooms and or bars from what I can see. (He used the open atrium earlier for Buffalo’s Larkin building & assistants delivered the mail on roller skates! )
The cast bricks were designed to interlock & each have teeth. Wright insisted on the reflecting pool in front, and although the developers didn’t want to pony up they eventually did & the pool enabled firefighters to extinguish the fire that accompanied the 1923 earthquake using that water!
Wright he didn’t allow the floors to touch the walls so the structure could move instead of collapsing in earthquake prone Tokyo. Wright had 100s of workers to carve the soft tufa-like stone.
As you can see from the photos the Imperial was gorgeous. He used gold arrow mosaics to catch the light & flicker which they do.
The decoratively carved tufa looks bizarre in all the photos but it’s gorgeous!
An early theater for Kabuki shows the audience sat on cushions but the stage revolved in 1907 & projected into the audience as it still does in Tokyo’s Kabuki theater.
The other buildings at Meiji Mura show how architectural ideas crossed the oceans long before the internet.
Meiji Mura is worth a full day & with superb bus service is easy to get to from Nagoya or Inumaya.